He started moving his hips. How to learn to dance oriental dances at home? So, let's learn to walk beautifully

Dancing that involves shaking your butt has become very popular all over the world. Such dances look erotic and provocative, attracting the attention of the audience. However, not everyone can shake their butt without preparation. For many, this requires preliminary training and some experience.

Steps

Beyoncé's movements

    Take the correct posture. Place your feet slightly wider than shoulder-width apart, bend your knees slightly and relax. Straighten your shoulders and arch your back slightly, pushing your butt back. Don't stick your butt out on purpose - it will stick out on its own when you arch your back.

    Bring your pelvis in. Your lower back should now be a straight line. In other words, your pelvis should be at a 90-degree angle to the floor, neither protruding forward nor backward. In this case, the shoulders should protrude slightly forward, and the legs should be slightly bent at the knees.

    Put your butt back. As you do this, arch your lower back and push your chest forward and shoulders back. This will help you stick out your butt. If necessary, practice arching your pelvis back.

    Repeat this movement. First, stand so that your pelvis is vertical, at an angle of 90 degrees to the floor. Then arch your back, pushing your hips and butt back. Start at a slow pace to get the hang of the technique, then gradually increase the speed. Try to reach the maximum pace, making sure that your movements are correct.

    Connect your hands. Beyoncé's famous style also includes rhythmic hand movements. To perfect these movements, first bring your arms to your chest, bending your elbows at an angle of about 45 degrees with your wrists facing away from you. Bend your fingers slightly without clenching them into a fist. Pushing your butt back, spread your arms slightly, pushing your chest forward. As you reverse the movement, bring your arms together again, pushing your shoulders forward. Continue, moving your butt and arms to the beat.

    Add jumping (optional). Beyoncé sometimes jumps during her famous dance. To do this, take the correct pose with your feet shoulder-width apart. Then just jump forward a little and immediately start shaking your butt as described above. Practice jumping after you have mastered the rest of the movements.

    Rotate your hips, arching them forward and then moving them back in a circular motion. In reality, shaking your butt requires only a backward movement of your pelvis and hips. However, to ensure proper hip movements, it is helpful to practice them in both directions. Practice moving your hips forward and then back. Keep your back straight while doing this.

    • You shake your butt as you move your hips back. This is a separate movement. You simply move your pelvis back. If this movement seems unusual to you, you will have to practice, since it is the main one. Essentially, by arching your pelvis back, you are shaking your butt.

  1. Place your palms on your knees. This will make your dance more stylish. In addition, this will make it easier for you to maintain balance while moving. Do not lean forward while still keeping your back straight.

    Push your hips back. Starting in the starting position, tilt your hips back. Do this slowly at first, learning the movement. In this case, you can transfer your body weight to your heels. Then gradually speed up your butt movements. And finally, shake your butt at a fast pace. Practice until you master the dance.

Forward bend dance

    Stand with your feet shoulder-width apart. Since you will be shifting your body weight forward as you dance, this position will provide you with balance. You should place your feet shoulder-width apart, placing your feet parallel to each other with your toes forward.

  1. Rotate from side to side. Speed ​​up your movements by rocking from side to side and twisting back and forth. Rotate your hips back and forth. At the same time, make sure that your buttocks are relaxed. Don't stress them out. Rotate your pelvis quickly and you will feel your butt shake and your buttocks smack together.

    • This is a separate movement in which you should only move your pelvis. The back should remain straight.
  2. People always dance best to the music they like. Dance to rhythmic music that will put you in the mood for dancing. Latin music and hip-hop often have a rhythm that's good for shaking your booty.
  3. Dance to your heart's content, moving naturally and effortlessly.
  4. Try to completely relax so that your movements look natural. Bend your knees slightly to help you maintain your balance.
  5. Practice dancing in front of a mirror - this way you can see what works for you and what doesn’t.

    6. Warnings

  • Before you plunge into a fast dance, stretch your muscles. Otherwise, as with other intense physical exercise, you may strain your muscles or suffer other damage.
  • Some people can't shake their butt even after extensive training, so don't be discouraged if you don't succeed.

Natalia Govorova


Reading time: 6 minutes

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The best thing master the skill of belly dancing An experienced instructor will help, but you can learn to dance at home. We will tell you what you need for this in our article.

Where to start learning belly dancing for beginners at home - paraphernalia and basic rules

Belly dancing requires a woman ability to relax those muscle groups who are not currently employed. This is the only way a dancer can perform dance movements for thirty minutes.

Belly dancing lessons will require a lady forming your own sexual image as a dancer. You can completely immerse yourself in the world of oriental dance only by creating your own image. Plays an important role here suit, jewelry and, of course, makeup. All of the above will focus on the sexuality and femininity of the oriental dance performer.

  • To choose the right clothes for dancing, you should know that In the first months of training, a woman’s figure will change significantly . The waist will become more refined, and excess fat will disappear. It is recommended to purchase some elements of attire for oriental dances after some time has passed.
  • For beginners, belly dancing is best danced in combination short top with breeches or leggings.
  • Later, a woman can complement her image loincloth with coins , creating the intended mood during training.
  • As for belly dancing shoes, let us remember that there has long been a tendency to dance oriental dances barefoot, thus celebrating the inseparable connection with the Earth. For women who do not want to dance barefoot, you can wear shoes ballet flats, Czech shoes or socks.

In order to perform belly dance harmoniously and correctly, a woman must be well versed in the styles of oriental dances, know their differences, and also know what costume, music and vocabulary correspond to a certain style.

Video belly dance lessons for beginners - basic movements and elements of belly dance

Video: belly dancing - first lessons

  • A notable element of belly dance is "rocking chair". To perform this movement, a woman must rise on tiptoes with her legs together, bend her knees slightly and mentally draw a vertical line through her navel. Along this line you need to smoothly move your hips so that the navel remains in place. You can do the dance elements up - down or forward - back.

To perform down-up movements, i.e. — in the vertical plane , put your feet together, rise onto your toes and bend your knees slightly. We take turns pulling the thighs up to the armpits so that the location of the navel remains unchanged. This dance element can also be performed moving forward.

To perform movements in a perpendicular plane (forward - backward) We stand on our full feet, bending our knees slightly. Bend your lower back as much as possible and move your pelvis back. We lead him forward and pull his pubis towards the navel. Moving your hips plastically, we describe a semicircle. The center of the circle is at the navel. Speeding up the pace, we switch to shaking our belly.

  • The next element of belly dancing is "pendulum" . To perform the exercise from top to bottom, lift the right thigh up to the armpit, move it to the right and lower it down, raising the left thigh to the armpit.

Pendulum from bottom to top performed by moving the right thigh further to the side. By lifting the heel off the floor, the thigh is pulled toward the armpit. Lower the right thigh diagonally down, lifting the left thigh up to the armpit.

  • Hip circles. Don’t forget - when dancing an element, you need to make sure that your back remains straight. In the horizontal plane, we mentally imagine a circle. We strive to outline it from behind with the buttocks, arching the lower back as much as possible. In front, you need to bring your pubis onto your stomach as much as possible.
  • Reset circles. We describe a circle and, moving the pelvis back, perform a hip reset from top to bottom. In the following laps the movement continues without stopping. Circles can be horizontal, vertical, large, medium and small. If you try to make circles in the frontal plane, you get a new movement.

  • Dance element "Wave". With it, only the hips should work. The upper body is motionless. To perform the element, we stand on high half-toes, facing the viewer half a turn. In the vertical plane we imagine a circle whose axis passes through the thigh bones. In the direction from below - forward - up - back we try to describe it with our hips. This element can be performed moving to the side or forward. There are several types of waves - lateral and frontal.

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Belly dance. Lessons from the master. Advanced level Tatyana Yurievna Vedekhina

Hip movements

Hip movements

Starting position: we stand on full feet, legs slightly apart (approximately the width of the foot) and located on the same line parallel to each other, the body is slightly tilted back, the back is straight, the stomach is relaxed, the arms are lowered along the body, the knees are “soft.”

Doing the exercise “Swinging your hips back and forth (“inward” and “outward”).” We move our buttocks back as much as possible, without leaning back, with our hands behind our backs. Then we pull our buttocks into ourselves as much as possible, and move our arms forward with a smooth movement. We tighten our hips by sharply contracting the muscles of our buttocks so that the pelvis moves slightly forward and upward.

We linger for a few seconds in this position. Then we move our hips back as far as possible - the legs and body remain motionless - and arch.

We work in the vertical (frontal) plane. Again we contract (squeeze) only the muscles of the buttocks so that the pelvis moves slightly forward and upward (“inward”). Movement of the pelvis forward and up - back and up, emphasis at the farthest point of this movement - again the pelvis “into itself” - again back and up, emphasis, etc.

Try to ensure that the movement is performed in the frontal plane along the trajectory of the lower arc of the semicircle. Remember your posture: shoulders down, back straight.

Starting position: stand on full foot, legs slightly apart (approximately the width of the foot) and located on the same line parallel to each other, body slightly tilted back, back straight, stomach relaxed, buttocks tucked, knees “soft” and slightly bent, arms in sides. We perform hip rocking.

The rocking chair is performed by alternately straightening the knees: without changing the position of the left leg, we straighten the right leg at the knee, due to which the right thigh is “pushed” up and we seem to pull it under the rib (at the same time the lateral abdominal muscles contract).

During movement, do not lift your heels and do not shift the center of gravity from one foot to another. The top remains stationary and does not swing as the hips work. We make sure that the hips move only up and down, and should not move them to the side or back. They should be relaxed - only the knees work. Now we bend our right leg at the knee and move our left thigh up.

We continue alternating movement with one and then the other hip, without deviating the body and keeping the line of the shoulders in the same position - parallel to the floor.

Imagine that you have a bowl of water on your head and your task is not to spill the water. You can also try placing a book on your head while performing this exercise and try to move so that it does not swing, much less fall.

We carry out rocking your hips to the sides in three counts: right-to-left and a little slower to the right - slightly slowing down the extension of the knee before starting the movement in the other direction (without a pause in the movement), left-to-right and a little slower to the left, slightly slowing down the extension of the knee before starting the next movement in the other direction. Movements should be smooth, unhurried, but continuous. Simultaneously with the rocking chair, we perform circular movements with our hands. Again we rock our hips to the sides without pauses. At the same time, we raise our hands up, while simultaneously performing rotations with our wrists along the figure eight trajectory. We repeat the movement of the hips at a fast pace.

If desired, the pace of the side hip swing can be increased even more: increasing it gradually and maintaining the rhythm, proceed to shaking the hips. When rocking, the pelvis swings due to the work of the lower back muscles, and the legs become freer. With this shaking you can learn to walk quite easily. For example, rise on half-toes and try to walk forward and then back with shaking. The faster your hips move, the more you need to relax them. But don't forget to work with your hands.

If at first the shaking works well for you, but after a minute or two the muscles begin to “turn to stone” and the rhythm of the shaking is lost, it’s not a problem. Stop, shake your legs alternately, relax your muscles and start shaking again. Vibration is given to the body by muscles relaxed at your will, not tension.

Performing the rocking chair at a fast pace, we move the pelvis forward, then back and then move in a circle to the left. So we impose movement "rocking your hips back and forth" to move “small circle of hips in the horizontal plane” plus circular movements with the brushes.

We connect the side rocker with the hips hip pull, continuing to rotate your wrists.

The hip pull is a basic element of oriental dance, a movement from the group of slides. It should be performed daily during every workout.

Starting position: we stand straight on our full feet (legs are located on the same line), the body is slightly tilted back, the back is straight, feet shoulder-width apart, knees “soft”, arms to the sides. We move the hip as far as possible to the left (while still rocking), leave the legs and upper body motionless and transfer the body weight to the left leg. The shoulders and belt line remain parallel to the floor when performing the pull-down, the knees do not bend. Pull your hips to the right and transfer your body weight to your right leg. The hips move to the right and left with maximum amplitude.

The hip pull helps to stretch the lateral muscles, strengthen the muscles of the lower back and abdomen, perfectly tones the waist muscles, and also helps prepare the body for further performance of various oriental movements (in particular, amplitude volumetric eights and rotations).

By sliding your hips, you can move back and forth and left and right.

After performing the hip pull, we move on to another basic movement, simple to perform, but effective and easily combined in dance with other elements - eights. Let's start by performing horizontal figure eights (movements are performed in the horizontal plane clockwise and counterclockwise).

Horizontal figure eight backwards (“from yourself”). While performing the pull-down, we paused for a moment in a position where the left thigh was maximally abducted to the left and, accordingly, the body weight was on the left leg.

Now we move the right thigh diagonally forward to the right, wrap it as much as possible and begin to outline the first half of an imaginary figure eight - we bring this thigh back.

Next, the left thigh moves forward (the body weight is gradually transferred to the left leg), turns as much as possible (until you see your left buttock out of the corner of your left eye) and begins to outline the second half of the figure eight: to the left all the way, and then back to the left.

Only the lower body moves. The breathing remains even and smooth, like the movement itself.

You can help yourself a little: when your hips twist in one direction, slightly twist your body in the other (so that your hips do not drag it along with you).

Keeping your knees straight, your feet remaining parallel, and your heels off the floor will help you achieve a smooth, soft, and uninterrupted movement. Imagine that you are moving forward without using your hands through some rather dense, viscous substance and as if raking it with your hips, alternately pushing it in one direction or the other.

This exercise helps increase the elasticity of the ligaments.

Movement “horizontal figure eight forward (“towards yourself”)” Schematically it looks the same as the previous one, only it is performed in the opposite direction. We move the left thigh back diagonally to the maximum twisted position (in which the chest still remains motionless).

We transfer the body weight to the left leg. Using a smooth circular motion, we describe half a figure eight forward with our left thigh, moving our right thigh back as far as possible. We transfer the body weight to the right leg.

In a circular motion, we bring the right thigh forward and describe the remaining half of the figure eight. We try to move our hips forward as much as we move them back. We don't turn our shoulders. They must look forward all the time. If you are not yet very good at “separating” the top from the bottom, try doing a figure eight with your whole body first. If you managed to catch the trajectory, you can move on to fixing the body and start moving only your hips.

Try to move your hips forward no less than back, then the movement will be smooth and symmetrical. Watch your upper body: it should remain motionless, but not stiff, keep your shoulder line parallel to the floor line.

When performing the figure eight, your legs should be placed parallel to one another and on the same line, not just for stability or beauty: if you put them in an inverted position (heels together, toes apart), then, by involuntarily squeezing your buttocks, limit the amplitude of their movement.

Another version of hip eights - vertical eights, or, as they are also figuratively called, "pendulums". The second name of this dance component was not born by chance: remember how the pendulum of a clock moves, describing the lower semicircle of an imaginary circle, like a young crescent turned upside down with its “horns”. The oriental dance performer reproduces the described trajectory using hip movements in a strictly vertical plane. Vertical eights can be performed, like horizontal ones, in two directions opposite to each other: “away from yourself” (from top to bottom) and “into yourself” (from bottom to top).

We are still standing on the full foot (legs are located on the same line and parallel to one another), the body is slightly tilted back, the back is straight, the buttocks are tucked. But now, to perform the “pendulum”, let’s put our feet together. Body weight on the left leg. Lift your right heel off the floor and raise your thigh as high as possible.

The body weight is gradually transferred to the right leg. Next, drawing a quarter circle to the right and down, we begin to lower the right thigh, while simultaneously pushing it as far as possible to the side, that is, to the right. From this extreme lateral point, we continue to lower the hip to the lowest possible point of the circle thanks to the “soft” knee. Body weight on the right leg. Place the heel of your right foot on the floor and lower your right thigh down.

Now we tear off the left heel (the knee is relaxed), lift (by lifting the heel off the floor) the left thigh up (as if leading to the armpit) and push it to the side as far as possible, without tilting the body in the opposite direction and outlining a rather steep semicircle of an imaginary figure eight.

We pull the thigh towards ourselves, returning to the starting position. We continue to draw symmetrical circles in the vertical plane. The body should remain motionless, and the shoulder line should be parallel to the floor line. Add hand movements to this dance element.

The hands in oriental dance move depending on the nature of the music, and therefore their movements often do not coincide with the movement of the hips: the hands work at least twice as slow as the hips. If the hips are the rhythm, then the hands are the melody.

From the previous starting position we smoothly move on to the next movement - step Sukher Zaki, or "stilts".

We stand on straight legs, located on the same line, parallel to one another, on our toes, the body is slightly tilted back, the back is straight, arms to the sides. We begin to alternately lower our heels to the floor in three counts. We lower the heel of our left foot - the left thigh goes down, then we raise the heel of our left foot, returning to the starting position (on our toes), and lower the heel of our right foot.

Left - right - left - paused for a moment. Right - left - right - paused for a moment. And so several times in a row in the rhythm of the sounding melody. We don’t bend our knees – we just raise our hips. The head is at the same level: movement occurs mainly only through the hips. Continuing to perform the movement, we lift our legs off the floor one by one.

And now we “walk” in place without delays or stops, but still to the beat of the melody.

If this movement is performed correctly, you will feel the obliques moving.

Let's do the following exercise - hip drops(otherwise - hip downward strikes). Starting position: stand in a half-squat and half-turn towards the viewer. The body faces forward, the hips and legs are turned to the side at an angle of 45°. We place the leg closest to the viewer (mirror) (the working one in this movement) in front of the one behind, on the toe, and put its thigh out and turn it forward (toward the viewer) as far as the body allows. The back is straight and slightly tilted back, arms are spread to the sides.

Try to keep your knees close while moving.

So, keep your chest and shoulders straight. We start the movement with the left foot, so we place it on the toe in front of the right, raise the right hand up, and move the left one to the side. We lift the thigh of the working leg up by straightening the knee, then sharply lower (throw) the thigh, again bending the working leg at the knee.

At the same time, we do not lower the heel to the floor. We place emphasis during the downward movement (at its maximum lowest point). At the same time, the hands make smooth circular rotational movements. We repeat the movement several more times, and then change legs - we stand half-turned towards the viewer (mirror) with our right hip forward, lift our left arm up accordingly, move our right arm to the side and work with our right hip.

If you relax your hips well and bend your knee, the hip will “fall” on its own.

Let’s complicate the basic movement “hip drop” by extending the leg, and we will get a new movement - "classic key"(hip drop with leg extension).

Starting position – as in the previous exercise: stand in a half-squat and half-turn towards the viewer. The body faces forward, the hips and legs are turned to the side at an angle of 45°. We place the leg closest to the viewer (the working one in this movement) in front of the one behind (the supporting one), on the toe, and put its thigh out and turn it forward (towards the viewer). The back is straight and slightly tilted back, the arms are spread to the sides (option: the arm of the same name as the supporting leg is raised up).

We perform one reset with the right hip, emphasis - during the downward movement (at its lowest point). Raise the right hip again, and then lower it, while simultaneously throwing the right leg forward, the toe of the foot stretches forward and down.

Lifting your hip up each time, we continue to alternate the hip downward strike (hip drop) with the hip drop with leg extension. We perform this movement several times, and then change the leg - we work with the left thigh.

The “key” can be performed on weight. In this case, when the leg lunges forward, its toe does not touch the floor, that is, we keep the leg in the air.

We continue to develop the spine and back muscles.

We change the starting position: we stand on a full foot, legs slightly apart (approximately the width of the foot) and located on the same line parallel to each other. The body is slightly tilted back, the back is straight, the stomach is relaxed, the knees are “soft”, arms are to the sides, body weight is on the left leg (as in a deadlift).

We carry out semicircle with hips.

We move our hips forward - at the same time, the body leans back, but the head does not tilt back under any circumstances (!) - and move it to the right, outlining (with maximum amplitude) an imaginary semicircle.

Now let's go full circle.

Circle of hips- a movement familiar to each of us since school or even kindergarten times. It was certainly included and is still included in a wide variety of gymnastic complexes called “hip rotation.”

At first, to help you check whether your shoulders and upper chest are moving horizontally or vertically during the exercise, you can place your hands on your shoulders.

We combine a semicircle with our hips forward with a semicircle back and perform a full circle with our hips to the left on straight legs. The hips move at all four points: we move them forward (the body leans back, but the head does not fall back), we move them to the left, turning the hips, we move them back, transferring the body weight to the right leg, we move them to the right, etc.

While the hips circle, the head, shoulders and arms remain at the same level. We repeat the rotation of the hips to the left again, and then perform a circle in the other direction: right - forward - left - back, trying not to move the upper body and keep the line of the shoulders parallel to the floor line.

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Someone once said that life without dance is impossible, and in his own way this man is right. See for yourself: all nations have their own national dances. It is with the help of dance that a person is able to express the passions and feelings that overwhelm him, show his emotions, and express his inner world.

Each dance has its own meaning, and dance itself is not just a method to improve the mood of others and yourself, but also an excellent cure for the blues and stress. It drives away bad thoughts, relieves tension, relieves depression and boredom, and liberates. Dance also helps keep the body in good shape and helps make the figure attractive.

The dance does not recognize racial or religious differences. Everyone can learn to dance, regardless of their place of work, study, age, or gender.

Nowadays, the dance direction has gained great popularity - belly dance or East Dance. Girls and women who dream of making their figure ideal, their body plastic and flexible, and their waist thin, want to learn it.

Oriental dance is not just plastic movements of the arms, waves and shaking of the hips. First of all, belly dancing is mystery, energy, passion, life itself! If you learn this art, you will be able to better control your body, become more graceful and flexible, become healthier and drive any man crazy. But how to learn this? You can try to study at home - using video lessons, books, articles on the Internet, or go to a dance school. And in general: is there any benefit to belly dancing, or is this just a big exaggeration? UchiEto will try to tell you everything in detail.

Oriental dance: dance for pleasure and benefit

When you do the movements of this dance, a huge number of muscles are involved, even the most undeveloped and deep ones, which cannot be “reached” by ordinary aerobics, but can only be worked out by strength training. You not only get a boost of vigor and energy, but also heal and strengthen your entire body. This is especially necessary for those who have a sedentary job and those who have a sedentary lifestyle.

Every girl can learn belly dancing if she wishes. And even if you don’t do it professionally, you will gain flexibility and flexibility, and you will also feel differently - more desirable, more beautiful, healthier.

By performing elements of oriental dance, you activate various muscle groups, improve blood circulation and develop flexibility. By the way, it will be difficult to achieve a similar result with regular fitness. The dance is very exciting, thanks to which every movement, even the most difficult, is easy for the dancer.

If you spend a lot of time sitting, for example, at a table littered with various documents, or in front of a computer monitor, stooping appears over time. Oriental dance classes will lift your chest, improve your posture, tighten your stomach, strengthen your bones, and straighten your back. After all, they are a good tool for tummy control and good for your figure.

But, having decided to learn belly dancing, you must understand that only healthy women who do not have chronic diseases of the cardiovascular, digestive, reproductive system or spinal problems can practice. Therefore, get approval from your doctor before exercising.

Learn oriental dance at home

First, make the room well lit, then choose oriental music and just show a little desire.

Oriental dance consists of some basic elements that need to be mastered first. Only after this will you be able to dance a full-fledged dance, which will embody your attitude, mood and state of mind.

Hip movements:

  • Crunches (hips rotate (twist) to each side while the rest of the body remains stationary)
  • Figure Eight (make the number eight with your hips)
  • Wave (hips draw a circle in the lateral and frontal planes)

Chest movements:

  • Twisting (head and hips do not move, chest twists in different directions)
  • Eight in any direction
  • Circle (the body is tilted or fixed)
  • Wave with breasts

To make belly dancing excellent, girls can use various objects: candles, swords, scarves, scarves, ribbons and so on. They help make the dance more erotic and exotic.

If the idea of ​​learning oriental dance has inspired you and you want to start, then don’t put it off until tomorrow, start right now!

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“You cripple me, but you don’t love me,” I grinned.

You are my woman, I do whatever I want with you,” Zhenya said in my ear and bit the lobe.

I guess I like this state of affairs!

His fingers went down to the inside of my thigh and began to gently stroke my skin in an exciting way. My breathing quickened, and I heard Zhenya also breathing heavily. He pulled back and sat on my legs above the knees, continuing the torture: his fingers either squeezed my buttocks or gently ran along the inside of my thigh. Then he put his hand between my legs and covered my wet and urgent flesh.

Zhenya’s index finger penetrated me and began to move it slowly. In response, I openly raised my hips, going crazy from his touch. I don't want this to end. I only need this man!

Zhenya’s finger moved faster, and with his other hand he began to stroke my buttocks. Then, leaving my flesh, he rose a little higher. Grabbing my hips with his hands, he lifted them and slightly spread my legs with his knee. He put his hand on the lower back and pressed, forcing him to bend. I willingly complied. Now I was ready to even jump from a high-rise building just to please this man.

While Zhenya hesitated, I impatiently moved my hips, wanting to quickly feel his hard penis inside me. He leaned down and bit my buttock again. I groaned.

“Mine,” Kolosov said hoarsely, and at that moment I felt his flesh touch mine.

Zhenya... - I whimpered, continuing to move my hips invitingly, but Zhenya, teasingly, simply moved his member along my folds.

Do you want to feel it in yourself?

He began to move his hips in time with me, without penetration.

Yes... - I said with just my lips, unsure that he heard me. I didn't have enough strength for more.

My girl.

He ran his hand along my back and entered me sharply, depriving me of my sanity and knocking the air out of my lungs. I moaned loudly.

Quiet, quiet...

He gently ran his hands over his buttocks and squeezed them in his palms.

Having left my body, Zhenya again plunged into me all the way. And again I couldn’t hold back my groan.

Crap! Alya, be quiet.

Is he kidding? How can I silently endure everything that he does to me?

Zhenya raised my hips even higher, resting his hand on my lower back. He froze for a few seconds, running his hands along my back, and then suddenly began to move hard inside me. I felt his penis inside me, how it rubbed against the walls of my vagina. It seemed that from the force of this friction I was about to burst into flames like a match. And Zhenya, tightly squeezing my buttocks with his fingers, continued to push me onto his penis. Pressing my chest against the pillow and biting one end of it with my teeth, I caught his rhythm. With every movement my moans became louder and louder. I could no longer hold back at all.

Oh my God! - I moaned, squeezing the blanket in my fist.

Like? - Zhenya whispered breathily, leaning towards me and not stopping for a second.

I nodded, but apparently he was not satisfied with this answer. He entered me even more sharply, forcing a moan to escape.

You feel good? - And a new merciless push.

Yes-ah... - I moaned loudly and powerlessly hit the bed with my palm.

Quiet,” Zhenya grinned.

Damn, is he funny too?

He grabbed me by the hair and weakly pulled me towards him. Giving in, I rested my back against his sweaty chest. During sharp thrusts, I felt the muscles on Zhenya’s body tense, and this seemed to make me even more crazy.

Now we were both on our knees.

He wrapped his arms around my waist, pressing me closer to him, never stopping moving inside me for a moment. Then he cupped my breasts with his hands, his thumbs almost roughly caressing my nipples. And I moaned, burned, picked up his rhythm. Suddenly Zhenya put two fingers in my mouth and began to move them. God! Isn't this a dream? Is everything I feel really, real? He stuck out his fingers and squeezed my nipple. I arched, pressing harder against his groin, feeling the wave of orgasm approaching again. God, two orgasms in one night!

Squeezing my breasts, playing with my nipple and continuing to frantically push me onto his excited flesh, Zhenya was breathing heavily, burying his head in my neck.

I love. - He went in all the way. - I love you like crazy.

It was these words that became the last straw for me. I raised my hand and grabbed Zhenya’s hair with my fingers. And at that same moment I felt a powerful orgasm shaking my body. I opened my mouth, ready to scream with pleasure. But Zhenya turned my face towards him and pressed his lips to his, swallowing my moan. Unable to cope with the sensations that covered me completely, I bit Zhenya’s lower lip, causing him to groan, roughly enter me several more times, moan protractedly and come.

Exhausted, I fell back onto Zhenya’s hard chest, continuing to squeeze his hair in my fist. He gently moved his hand down my stomach and covered my flesh with his palm.

You can go crazy,” he croaked into my neck, breathing heavily. - I didn’t think this would happen...

What is “this”?

What? - Zhenya asked, smiling smugly into my neck.

Which? - I whispered, opening my lips with difficulty.

“This,” he repeated and smoothly pulled out of me.

I let out a weak moan, and he leaned back on the bed and pulled me with him. I lay down with my back to him, resting my head on his hand. With his other hand he pulled me closer to him by the waist. We lay there like that for several minutes, trying to come to our senses.

I really want to sleep. I didn’t really sleep for two weeks. “Everyone was playing catch-up,” Zhenya said quietly, kissing my neck and using his fingers to remove wet strands of hair from my face.

“So go to sleep,” I whispered, feeling that I was falling asleep myself.

I'm afraid to wake up and not find you.

This will not happen.

We have a lot to discuss tomorrow,” Zhenya said sleepily.

I closed my eyelids, glad that my dreams began to come true.

When I woke up, the clock on the dresser showed five in the morning. Very soon I will have to explain myself to Anton. Sighing heavily, I turned to Zhenya, who was sleeping next to me. His hand still held me tightly to him, his breathing was even. He smiled in his sleep and it made him look like a boy.

That's all! From today the countdown of my new life begins. With Zhenya. Without Anton. There was a tightness in my chest. Will I be able to live normally, knowing that I treated him so vilely?

I carefully removed Zhenya’s hand, causing him to fidget and frown.

“I’m here now, honey,” she kissed him on the lips and stroked his cheek.

Getting out of bed, I looked around. What should I throw on myself? Not finding anything suitable, I went to the bathroom naked. Before disappearing behind the door, she looked again at Zhenya, who was peacefully sleeping. I can't look at him without smiling. Especially now.

In the bathroom, going to the mirror, I looked at my reflection. God! There is a nest on the head, there is no other way to call it. Just like a cuckoo! The lips were swollen from Zhenya’s greedy kisses. Bruises began to appear on his arms and chest. But this is already bad! I looked down at my body. Nightmare! There were bruises everywhere: on the hips, on the ribs, on the wrists, on the neck...

Kolosov...

But how nice it was to remember under what circumstances I received them.

The remnants of mascara under my eyes completely distorted my human appearance. You should at least wash it off. “Witch,” I remembered how Zhenya called me that today after I caressed him with my mouth. Blood rushed to the cheeks. I looked around, hoping to find some kind of elastic band or hairpin. Yeah, in Kolosov’s bathroom?

She opened the cabinet next to the mirror, looked at the shelves and actually found a hairpin on the bottom one.

Holy shit, Alina! Didn't you want to find a hairpin? Damn, I wanted to! But I didn’t count on it. Maybe it's Mila? Well, you never know...

I reached for the hairpin, but the trembling in my exhausted hands did not allow me to even grasp it properly with my fingers. The hairpin fell. Crap! If only it were on the floor! I looked down and sighed heavily. Bin.

Poems with erotica for a loved one

N and in our summer meadow we see off the sunset,
I'm almost undressed and your eyes are burning.
You look... With an invisible trembling I feel you
You worry me too, today I’m all yours,
You come closer... closer... Your hands are on your chest
You lick the papilla with your tongue and everything is ahead of us.
You lay me down carelessly, on top of the homeworker again
You stroke my skin gently, I start to moan..
Hearing this, you went down, you're in a hurry on your tummy
I'll melt with you now, show me your class baby!!!
My pulse started beating very fast, I could barely hold back my tears.
And in the orgasm of that night my dreams came true.

T you were incredible today
Caressing the body and tearing the flesh!
Like a stone avalanche -
You couldn't overcome your passions!
Bursting in passionately and so boldly
Kindled the ardor of desires in me -
You accomplished them and You did them,
Penetrated to my depths!
You were incredible today -
Without starting to fight passions within yourself
And how happy I am now!
My love! My desired one!

A you look at me like that
I know I'll be yours
I'm shaking all over, I'm all naked,
Your love is more beautiful than summer.
You run your hand over your chest,
Not knowing how you turn me on
And how great you kiss,
You will never forget this in your life.
Under the sound of rain, gusts of wind,
I whisper to you: "Take me"
I'm shaking all over, I'm all naked,
But I know I'm yours now.

ABOUT hugged, pressed her body
And I warmed you with myself.
She kissed me hotly on the eyes.
She said: Do you want it? Want!
Tongue gently on the neck,
Surrendering to sinful thoughts.
And hands lower, lower.
I can hear you breathing heavily.
I'll touch you with my hands.
“He” is like a bridge between us.
I play slowly
And she herself is barely alive.
Beads of sweat down your back.
I want you in me!!!
I'm burning, I'm squirming.
I give myself and am not shy.
More often, deeper and stronger,
To the world of ghostly lights.
Bed sheet with folds pattern.
The world of orgasm is tender and sweet.
I'll fall exhausted
Damn the shame and regrets.

B A woman’s shamelessness, believe me, is not a vice,
When she both loves and is loved...
Then a gentle cat will caress at your feet,
She will become a predator - and this is her strength...
He will incinerate you so passionately with his gaze,
Reading thoughts that are sometimes careless...
And your confused look will amuse her,
When you don't believe that this is suddenly possible...
Oh, this whisper that gently caresses the ear,
Almost inaudible, with just one languid sigh,
It will relax you... And your fingers will burn your neck,
Thus fittingly reminding us of vice...
...And then the palms drop a little down,
Studying the chest and shoulders in detail...
Don't rush - embody that whim:
Let every centimeter be marked by it...
This is important to her... She won’t miss anything -
No mole, no scar... Useless
Now to hide from her -
She touches so sensually and tenderly...

X I see you, I want you - and that’s all!
I want to taste you!
I'm sick of you, but only so much
How much I give in to the flesh!
Your eyes don't warm me up
Even though I long to drown in them!
And your heart does not swell -
The soul doesn't need you, not at all!
My gaze is shamelessly full of passion,
And the body yearns for your hands.
But, unfortunately or fortunately,
I don't know the pains of love.
You are my whim, my desire!
I'll get it... and goodbye!

IN come into me, stay in me!
I've been waiting for you so much at night!
I want to cuddle up to you,
Intertwine your soul and body!
And freeze, as if in a sweet dream,
Feeling the bliss of passion!
Come inside me, stay inside me
And I don’t even need Paradise!
Like in heaven, I'm in silence
I burn in your kiss.
You gently stroke my back,
And you kiss me from lips to toes.
Kiss! Kiss! I scream, I whisper!
Don't take your lips or hands away.
I want you madly!
My passionate, gentle friend!
You are a strong falcon above me,
Your movements are like taking off
I am your game, I am under you,
You're flying down towards me! Delight!
You will wrap your arms around each other with trembling,
You add tenderness with your lips,
You take me tenderly
You give me a night of madness!
The night is leaving...without strength, without sleep,
And I'm intoxicated by you!!!

IN take me! Without tenderness, without affection.
As rough as you want. Well, take it!
Let the warmth of your lips tear me apart,
Let your heart beat wildly in your chest.
Your hand sliding over your body
The light of your eyes, piercing right through.
I've wanted this for too long
So that now something suddenly breaks down.
A couple of quick movements and fatigue,
The taste of the tongue and your head is spinning.
And there is nothing left for us anymore -
I've waited too long for this.
And until dawn only my moans
To the beat of all your movements.
And only the voice of the telephone will interrupt us
Yes, my quiet whisper: Don’t go...
You were with me. So kindly, so tender.
Not at all the way you always wanted.
And the warmth of your lips was boundless,
And my heart sank in the depths...

P hurry up, please finish
This sensual procession.
All-pervasive,
whippings from the bottom of the soul,
Body to target - platoon Celsius.
I feel another to the fullest,
I freeze, I’m on tiptoe with him.
I am with you - the correctness of poses and roses,
A hundred love words, all familiar.
The pounding of my chest hit the pendulum.
I rise as wayward Zhanna.
Aladdin's dwelling swells,
I'm squeezing your conflagration.

X Can you see it? Take it! I don't mind!


I give myself to you only alone.
I've been dreaming about intimacy for so long,
But I won’t embrace the whisper of our bodies.
I give my bodies complete freedom!
Let them enjoy each other.
Darling, this is how nature works...
What's in you? Ice of flame and blizzard?
Touch me. I want to feel
Everything you live and breathe now.
I'm flying from your breath...
I want you, I love you... Do you hear?!
You need it - I will melt all the ice,
Which interfere with pleasures.
My beloved, I love you so much...
You are my angel, salvation from all adversity.
“I want you,” I will repeat without hesitation.
When will I expect reciprocity, tell me, dear?
I love you, I adore you.
But there is not enough strength to fight for the answer.

“And now I want to get up, turn around and leave. I’ll deliberately say something offensive, won’t straighten my skirt up and wag my butt. I want you to get angry, look after me, furiously crumple it in your pocket and throw a fifty-kopeck piece on the table and, not noticing the obstacles, he rushed after me. I want you to catch up with me in some gateway, in the toilet, in the elevator, on the way. I would turn around sharply and almost painfully press my back against the wall with my whole body. I would run my hand over my hair and face, I'd smudge my lipstick, mess up my hair. My mouth would open slightly in surprise, trying to scream, spit, bite, take a deep breath. You'd run your finger roughly across my bottom lip, and I'd clench my teeth for a second.

You would put your hand on my neck, hesitate for a second, and then soften and grab my breasts, squeeze them with one hand, then tear my blouse, lift my skirt, rip off my tights... however, no, you would notice that on I want stockings... I want to stay pressed against the wall, half naked, helpless. I will breathe heavily and twitch. And you won’t pay attention to this, you’ll hold my hands tightly against the wall, kiss every part of my body: neck, shoulders, chest... Don’t rush, it’s not at all necessary to tear everything off me at once. Let the bra cover your breasts for now, or even let them burst out on their own. They want you as much as you want them. Tease them through the fabric with your teeth. I want you to kiss my stomach, run your hand between my legs, first hard, then more gently. I want you to insert a finger into me, two fingers, three. To turn me around to face the wall and kiss my back. Hand, hand. Don't forget about your hand between your legs. And below: the legs are long, they also need affection. Pull my hair into a bun and pull my head towards you. Kiss your neck predatorily. Now pull my thong down with one hand, don’t tear it, let it tighten your legs and get in the way a little. Force my legs apart. Unzip your fly, take off your pants and enter me hard and sharp. I will struggle and demand that you stop. You will stop for a split second, turn me halfway towards you, shut me up, greedily kiss me on the mouth, and press me against the wall again. Rip this damn bra off of me already! Your breasts, aching with desire, will press against the cold stone, you will put your hand through them, you will try to grab both at the same time, then one or the other will slip out, and I will enjoy the process. I want you to take me all, enslave my desires and thoughts, take me so that the thought of anything else will never cross my mind. My back will bend under the weight of your body, I will squeeze my breasts and pull my nipples, moan and scream. I'll do whatever you want. Turn me towards you, lift me by the butt, put me on top of you. I have perfectly trained muscles. I will wrap my legs around your body, dig my nails into your back and bite your shoulder. Tell me something unbearably depraved, breathe directly into my ear, hum and draw out consonants, lick the droplets of my sweat flowing down my cleavage. Fuck me like it's your last time. More and more. Until I scream. Until your strength leaves you. I want us to come almost simultaneously and fight in ecstasy for a long time.”

While making this speech, Veronica moved forcefully along her legs with one hand, and with the other she kept bringing a cigarette to her lips and took a greedy drag. Having finished speaking, she exhaled sharply, opened her eyes, looked carefully into the eyes of the stunned man sitting in front of her, drank the remaining wine in the glass in one gulp, said: “You bastard!”, quickly got up and went to the exit. The man woke up, looked after her angrily, took out his wallet, crushed a fifty-kopeck piece in his hand, tried to get up, but realized that he would not be able to do this for some time.

> ZROTIC POEMS

Svetlana

Take me under the starry sky
Rip off my clothes
I will pleasure you with oral sex,
At night I dream about you.

Kiss all my charms,
I give myself to you,
Enjoy my trembling flesh,
I'll pick you up on the beach this night.

I want to scream with you in orgasm,
Digging into your body
Let them hear us, it doesn’t matter to me
Feel free to do whatever you want with me.

Come inside me and tell me
How do you want to do it?
Have me, scream!
With you I want to become pale.

Drink my juices passionately
Don't you dare pause,
Don't be meek with me
Break me, don't be shy.

Open up completely in me,
Don't limit yourself in anything
I want to burn with you in fire,
We'll still have time to rest later.


Svetlana

I am a source of pleasure,
Giving unearthly affection.

Take me, my irrepressible one.
And gladly any whim
I will fulfill it, the most secret one.
Consider it a gift from fate, a prize.

Take me: I'll be quiet
(No one is my judge anymore)
Pliable - submissive, wild.
In an instant, I am yours.


ALEXANDER

I forget about everything in the world -
you are so fresh and good;
leisurely
undressing,
I admire you
leisurely.

In the interweaving of moments
I kiss everything that I love so much
and in the lace of touches
I'll drown you gently...

From the caress of lips
and hands
drawlingly
you'll groan...
you'll arch...
And now you're shaking
and thirsty wetly ---
and I'm coming to you.
I am yours!


ALEXANDER

You're bleeding sweet juice
And your gentle shoulders
Covered with sweat like beads...
Experience the fire of love!

You will open your sticky lips
And you will take my tongue into yourself;

And you will fall into the world of orgasm.

And so that the moment of orgasm lasts,
I burn your nipple with my lips,
I'll make you cramp
And then we'll start the game again...


Svetlana

Take me tenderly...
Take me sweetly..
Take me rough...
Take it without reserve..

Love me from above....
Love me from behind....
Love on the floor....
And love on the bed....

Enter me passionately..
Come inside me deeper..
Well, do it great for me..
Come on... Come on... come on...

Have me as a dick...
Caress with your tongue...
Come on and jack..
Take it doggy style...

Enter me from below...
and plant it on top...
Take it as you want..
But just wish...

Take it... caress it...
kiss.. hug..
Desire.. excite..
But also just LOVE!!!


ALEXANDER

Svetlana

Take me tenderly, I strive for your web,
Get entangled in a cocoon, so that you can fly away like a butterfly in passion.
I WANT you, touching my grown stubble,
Descending lower and lower, caressing the insurgent firmament.

Shamelessly touch each other, tearing off clothes
With unbridled force, in flight of enraged bodies.
How ignorant we were before!
Never before has the fire of nature burned like this!

The bite of greedy flesh will awaken the shamelessness of desires,
Let the world burn with passionate, exciting words.
And we will dissolve in the elements of magical dates,
Diving headlong into our crazy love.

Let me satisfy your hunger, kissing without fear,
Blinding you in its beautiful nakedness.
After all, you are only mine! I am reborn from the dust again.
Take me tenderly You wanted it yourself!


Svetlana

I want you... Every inch.

I want you... In a dense whole

To get confused by you, to get drunk...

And still collect all the drops)

Lick you and... again...

I WANT YOU,
and I don't know
What the hell is going on...


Svetlana

Take me: rule completely.
I am a source of pleasure,
Giving unearthly affection.
You are a traveler who has come down for a moment.

Take me, my irrepressible one.
And gladly any whim
I will fulfill it, the most secret one.
Consider it a gift from fate, a prize.

Take me: I'll be quiet
(No one is my judge anymore)
Pliable - submissive, wild.
In an instant, I am yours.


Svetlana

Squeeze me tight
Kiss me greedily
Love me like that
What would be nice.

Forget the word timidity
Caress my body
Give away your passion
So that everything would get sick.

Throw back the covers
Feel the desire
Imagine this
A sweet moment of possession.

Don't be afraid of mistakes
After all, we are not saints,
We won't remember the past
.....ours from now on.

Just believe in happiness
Breathe tenderness into me
And this night will bring us
........serenity.


ALEXANDER

You're bleeding sweet juice
And your gentle shoulders
Covered with sweat like beads...
Experience the fire of love!

You will open your sticky lips
And you will take my tongue into yourself;
In the abyss of passion you will drown in an instant
And you will fall into the world of orgasm.

And so that the moment of orgasm lasts,
I burn your nipple with my lips,
I'll make you cramp
And then we'll start the game again...


Svetlana

Let's close the bedroom doors tightly,
We will be greeted by a world of other times!

We will feel together.

The touches are new and the same...

Your fantasies and life.

Let's unite naked
So sharp, strong, deep...
And turn your breathing into moans,
We learned from the gods.

And more chaste than him?
Vivat! - love siesta!
Giving love is the most important thing.

The words are extremely frank,
Like the freshness of pure nakedness.
And the bedroom seems like a universe,
Which you give to me. (K)


ALEXANDER

Lips passionately slide along the curves of the chest,
I will touch your tender nipples with my tongue.
My head is spinning about what lies ahead.
I will, my Light, fly towards you like a Moth.

You will feel the sweetness of my touches,
The magic of the wondrous caresses of sponges - the wings of the lungs.
How my lips sweetly touched the silk of the body,
I burn, burning, your night moth.


Svetlana

Kiss me, kiss me until I'm drunk,
Until our bodies' thirst is quenched.

We fall into mutual embrace
And the beating of hearts intensifies the running.


Svetlana

I want you... Every inch.
How to lick the saucer with jam,
Drink in one gulp, in one kiss,
Choke on you... go crazy...

I want you... In a dense whole
To merge, to become entangled, to become, to combine.
Stir in creamy white...
To get confused by you, to get drunk...

I want you... Squeeze the maximum,
And still collect all the drops)
Greedy, predatory, hasty, and shameless,
Lick you and... again...

To penetrate you, piercing you sharply,
The sound of relentless words... There are three of them:
I WANT YOU,
and I don't know
What the hell is going on...


Svetlana

Without thinking about tomorrow and then.

Kiss me until I scream.


Svetlana

Squeeze me tight
Kiss me greedily
Love me like that
What would be nice.

Forget the word timidity
Caress my body
Give away your passion
So that everything would get sick.

Throw back the covers
Feel the desire
Imagine this
A sweet moment of possession.

Don't be afraid of mistakes
After all, we are not saints,
We won't remember the past
.....ours from now on.

Just believe in happiness
Breathe tenderness into me
And this night will bring us
........serenity.


Svetlana

Lay me down
On a bed of white blankets,
I'll open my places
To kiss passionately.

Breathe me in
Love is the divine essence,
Gotcha, it's a trap
Today you yourself chose the path.

Open me up
Hear my wondrous groan from my soul,
I beckon you with my whole body,
I call you with me into the world with languor.

Take me

Walk my - your dream

Enter me,
Extend the moments, dear moment,
Execution by oneself, loving with fire
Feed the cupid of passion.

I'll take you with me
With the touch of bold caresses,
And I give myself
Granting the sacraments ecstasy..


Svetlana

Let's close the bedroom doors tightly,
We will be greeted by a world of other times!
And everything that happens to us here
We will feel together.

The touches are new and the same...
Snuggle up, relax and lie down!
Let us intertwine passion and tenderness,
Your fantasies and life.

Let's unite naked
So sharp, strong, deep...
And turn your breathing into moans,
We learned from the gods.

What could be more beautiful than sex?
And more chaste than him?
Vivat! - love siesta!
Giving love is the most important thing.

The words are extremely frank,
Like the freshness of pure nakedness.
And the bedroom seems like a universe,
Which you give to me. (K)


ALEXANDER

A moment after,
or before
I freeze from kisses...
Isn't it the wine's fault?
tipsy lips?...
I caress your shoulders.
I got a chill.
Trembling throughout the body...
And in my head again about candles,
Pasternak's poem...
No it's not a lie
in your eyes...
Towards happiness
you gave in.
Palm down...
Ready to break myself into pieces
my angel,
my love's whim...
Sliding boldly with your hands.
Hip curve...
AND...
Loud moan...
How little air...
Between us
burning hearts - unison.

Like for the first time I wish you.
My angel.
My love's whim.


Svetlana

Kiss me, kiss me until I'm drunk,
Until our bodies' thirst is quenched.
I know. I remember... This is a crime!
But I want... And you! That's what you wanted!

We fall into mutual embrace
And the beating of hearts intensifies the running.
In a fit of impulse, you rip off the straps of your dress...
I'm melting... Like snow melting in the palm of your hand.


Svetlana

Night... you undress me,
You take a bath in a warm bath
With fragrant rose petals...
Gently with soapy hands
This is nothing new to you...
Give wonderful moments
The touch of your hands...
You don't miss anything -
You caress your chest, your tummy,
You lower your hand...
Fingers move in circles
There's such a sweet pressure from inside,
Soon I will be sent to heaven...
Keep going... even stronger...
You speed up your movements -
I have no patience anymore...
The end of gentle labor -
GOD! Lord have mercy...
I whisper: thank you, darling..


Svetlana

You grab thin wrists
You catch my lips greedily with your mouth...
Like thieves we steal happiness today,
Without thinking about tomorrow and then.

So kiss me until I go crazy
Kiss me until I scream.
Let this intoxication be sweet.
After all, you wanted it! And I want... I want!


Svetlana

… Do not rush, …
.........kiss first –
... languid
.......... mint breath...

...feel the heat
………………… attraction,
...desire...
… Do not rush, …
... the moon has not ripened,

...Yes, I am given to you today...
… Do not rush….
……………… Let's play….

... Outlandish sensuality.
………… Well…

… Do not rush, …
………… calm down your movements,

… Do not rush.…
…… Let me feel it to the fullest


Svetlana

Lay me down
On a bed of white blankets,
I'll open my places
To kiss passionately.

Breathe me in
Love is the divine essence,
Gotcha, it's a trap
Today you yourself chose the path.

Open me up
Hear my wondrous groan from my soul,
I beckon you with my whole body,
I call you with me into the world with languor.

Take me
In the arms of strong, gentle hands,
Walk my - your dream
Along the hair and below... along the thigh.

Enter me,
Extend the moments, dear moment,
Execution by oneself, loving with fire
Feed the cupid of passion.

I'll take you with me
With the touch of bold caresses,
And I give myself
Granting the sacraments ecstasy..


Svetlana

You are already in me - I am all yours,
The bodies merged in one impulse,
And the ground disappeared from under my feet,
Only you and me in a huge world...

Covered me with a wave of tenderness,
I'm bathing in your arms...
You gave me a pair of wings
And the sea... just a sea of ​​happiness...

I'm afraid to drown in love
In a tsunami of passionate kisses,
But your lips touch
I’m catching with my own, maddened...

More! I beg you for more!
While there is no limit to desire...
How unspeakably good -
I flew away in jets of light...


ALEXANDER

Like for the first time I wish you...
A moment after,
or before
I freeze from kisses...
Isn't it the wine's fault?
tipsy lips?...
I caress your shoulders.
I got a chill.
Trembling throughout the body...
And in my head again about candles,
Pasternak's poem...
No it's not a lie
in your eyes...
Towards happiness
you gave in.
Palm down...
Ready to break myself into pieces
my angel,
my love's whim...
Sliding boldly with your hands.
Hip curve...
AND...
Loud moan...
How little air...
Between us
burning hearts - unison.

Like for the first time I wish you.
My angel.
My love's whim.


Svetlana

When bodies are tired of love,
Add more affection to the cocktail of sex!
Slowly stroke and hug,
So that the aftertaste is wonderful.

Touch me with your palm and freeze.
Prolonging orgasm is a great art!
There are still melodies inside,
And your bites burn on your lips.

And I want to feel in return
Your sliding touches
When it's about to end completely
My hot penetrations.


Svetlana

Night... you undress me,
You take a bath in a warm bath
With fragrant rose petals...
Gently with soapy hands
You stroke your legs, butt, back...
This is nothing new to you...
Give wonderful moments
The touch of your hands...
You don't miss anything -
You caress your chest, your tummy,
You lower your hand...
Fingers move in circles
There's such a sweet pressure from inside,
Soon I will be sent to heaven...
Keep going... even stronger...
Yes, like this... and a little faster...
You speed up your movements -
I have no patience anymore...
The end of gentle labor -
The moment of ecstasy is close... YESSS!
GOD! Lord have mercy...
I whisper: thank you, darling..


Svetlana

Hello, dear, are you resting?
You lie down, I won't interfere
You do not know me yet
I'll play with you.

Did not recognize? I'm your cat
I'm tired of the window
I'll purr a little
And then I'll get down to business.

With my furry paw
Slowly, I’ll stroke your cheek
My disposition is soft and sparkling
I gently bite your earlobe.

I'll play with my hair
One curl, two curls
Oh, it’s so ticklish - the mustache!
Here is the shirt button.

I’ll unbutton it and press it into a lump.
Gently hiding the claws
Well then, period!
Oh, how enticing your smell is.

Well, why are you delaying?
Well, pat me on the back
I'll bend so hard you'll go blind
I'm as beautiful as a picture.

What about behind the ear? What about your tummy?
Oh, how wonderful I am all moved
My dear, you are a hippopotamus
Without wine I get drunk with you.

How I love you my gentle
And I'm only your cat
Paradise in your hands is boundless
Where am I drowning as a weak crumb...


Svetlana

… Do not rush, …
.........kiss first –
... languid
.......... mint breath...
Savor the moment a little at a time -
...feel the heat
………………… attraction,
...desire...
… Do not rush, …
... the moon has not ripened,
and the night touched only the edge of the earth...
...Yes, I am given to you today...
… Do not rush….
……………… Let's play….
... Just touch your chest and you'll shiver
a viscous, fiery wave through the body...
... Outlandish sensuality.
………… Well…
Burst into me decisively and boldly.
… Do not rush, …
………… calm down your movements,
let me enjoy the joy of the moment...
... Freeze at the permissible depth,
how passionate, hot penetration….
… Do not rush.…
…… Let me feel it to the fullest
all the charm of boundless desire.
...Oh, how shameless the yellow moon is!


Svetlana

Give me the benefit of the doubt...
Because... I'm with you... a slut!
I want to drown... in sinfulness,
Your desires.... without remorse!

Flow down like an avalanche,... rise up,
Slide over the body with wet lips,
To see a secret meaning in the eyes of loved ones,
Bound you... with vicious chains!

Moan in shamelessly... tormenting hands,
I want your merciless movements
Tremble with your whole body, melting into the clouds,
And the fallen woman goes down to her knees.

I catch your gentle whisper... swearing cry,
An animalistic, wild roar... it excites my nerves,
I adore... this moment of passionate passion.
Now let me...
And I don't want to be a bitch...


Svetlana

You are already in me - I am all yours,
The bodies merged in one impulse,
And the ground disappeared from under my feet,
Only you and me in a huge world...

Covered me with a wave of tenderness,
I'm bathing in your arms...
You gave me a pair of wings
And the sea... just a sea of ​​happiness...

I'm afraid to drown in love
In a tsunami of passionate kisses,
But your lips touch
I’m catching with my own, maddened...

More! I beg you for more!
While there is no limit to desire...
How unspeakably good -
I flew away in jets of light...

Christian screams and pulls my hair painfully.
“What a capricious girl,” he whispers and reaches to the table for a foil package. - Lie quietly, don’t move.
While he tears the foil, I breathe heavily, and the blood pounds in my temples. The anticipation is intoxicating. Christian lies down on top of me and grabs me again.

Hair so I couldn't move my head.
- This time everything will be very, very slow, Anastasia.
And he slowly enters me. Slowly, slowly, until the whole thing fits inside me. Ruthless, inexorable. I moan loudly. This time I

I feel it more deeply, more pleasantly. He deliberately steps back, hesitates a little and enters all the way. This happens over and over again. Teasing, slow

The rhythm and the brief moments when he is completely inside me drive me into a frenzy.
“It’s so nice to feel you,” Christian says, and everything inside me begins to tremble. He retreats again and waits. - No, baby, not now,

He whispers. When the shaking subsides, he starts again.
“Please…” I beg. I don't know if I can stand it. My body is so tense and so hungry for release.
“I want it to hurt you, baby,” he mutters and continues this unhurried, sweet torture, back and forth. - I want tomorrow

Every movement you made reminded you that you were with me. You are mine.
I let out a groan.
- Please, Christian.
- What do you want, Anastasia? Tell me.
I moan again. He pulls back again and moves his hips slowly as he enters me.
“Tell me,” he asks.
- You, well, please.
He increases the rhythm just a little, and his breathing becomes erratic. I start to speed up, Christian picks up.
- You. Like this. Sweetie,” he says between thrusts. - I just. You. Want.
I can only moan.
- You. My. Cum, baby,” he growls.
His words are my death, they push me into the abyss. My body convulses and I come, screaming his name loudly into the pillow.

Two more quick thrusts and Christian freezes, pouring into me. Then he lowers himself onto my back, burying his face in my hair.
- Crap. “Ana,” he exhales, immediately pulls out of me and rolls to the other side of the bed. Completely exhausted, I pull my knees to my chest and

I fall into a tired sleep.

When I wake up, it is still completely dark outside. I have no idea how long my sleep lasted. Stretching out under the blanket, I feel a pleasant pain.

Christian is nowhere to be found. I sit down, looking at the panorama of the city in front of me. Almost all the windows are dark; dawn is just breaking in the east. Sounds are coming

Music. In the silvery tints of notes, a sad, tender complaint is heard. Bah, I think, but I'm not sure.
I wrap myself in a blanket and walk down the hallway to the living room. Christian sits at the piano, completely immersed in the music. His face is sad, to match

Melodies. He plays great, like a professional musician. Leaning against the wall at the entrance, I listen in rapture. Christian sits shirtless

Illuminated by the light of a single floor lamp standing next to the piano. In the darkness of the house, he remains in his own circle, fenced off from the rest of the world.

Sveta, untouchable... lonely.
I quietly approach him, mesmerized by the sublime, soul-stirring melody, and, as if hypnotized, I look at his long, dexterous fingers, gently

Touching the keys, fingers that so skillfully excited and caressed my body. At this thought, I blush and close my legs tighter. He picks up

Head: bottomless gray eyes are clear, facial expression cannot be made out.
“I’m sorry,” I whisper.

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